|Head of Content||George Garner|
|Former editors||Tom Pakinkis, Tim Ingham, David Dalton, Steve Redmond, Selina Webb, Ajax Scott, Martin Talbot, Paul Williams, Mark Sutherland|
|Frequency||Monthly from March 2021, previously weekly|
|Circulation||Not pubically available since 2011|
|Year founded||1959; 63 years ago|
Music Week is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future.
Founded in 1959 as Record Retailer, it relaunched on 18 March 1972 as Music Week. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to Music & Video Week. The rival Record Business, founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot Video Week launched and the title of the parent publication reverted to Music Week.
Since April 1991, Music Week has incorporated Record Mirror, initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: Music Business International (MBI), Promo, MIRO Future Hits, Tours Report, Fono, Green Sheet, ChartsPlus (published from May 1991 to November 1994), and Hit Music (September 1992 to May 2001). By May 2001, all newsletters (except Promo) closed.
In 2003, Music Week relaunched its website of daily news, features, record release listings and UK sales, airplay and club charts. In early 2006, a separate free-to-access site for the Music Week Directory listed 10,000 contacts in the UK music industry. In mid-2007, the magazine was redesigned by London company This Is Real Art. In October 2008, another redesign led to major changes.
In June 2011, Music Week was sold to Intent Media. The package was sold for £2.4m and also contained titles Television Broadcast Europe, Pro Sound News, Installation Europe, and additional websites, newsletters, conferences, show dailies and awards events, which generated £5.4m of revenue in 2010. As of issue 30 July 2011, UBM is still named as publisher, as the new publisher Intent Media took over on 1 August 2011. In the first edition under new ownership it was announced that the title would switch its day of publication Monday to Thursday with immediate effect. NewBay Media acquired Intent Media in 2012. Future acquired NewBay Media in 2018 and decided that the publication would go monthly from March 2021, in keeping with its Louder Sound publications such as Metal Hammer and Classic Rock magazine
Music Week features these British charts: the Official Top 75 Singles of the month, the Official Top 75 Albums of the month (similar to charts used by Top of the Pops in the early 1990s and Absolute 80s on Sundays) and the Official Vinyl Charts. Specialist charts include the Official Top 20 Americana, the Official Top 20 Classical, the Official Top 20 Hip-Hop & R&B, the Official Top 20 Jazz, the Official Top 20 Country, the Official Top 20 Dance, the Official Top 20 Folk and the Official Top 20 Rock & Metal. Also found in Music Week are charts for streaming and various album compilations, whilst James Masterton's weekly Official UK chart analysis column can now only accessed online by subscribers.
When the magazine was a weekly publication it included Top 75 Singles, Top 75 Artist Albums, Top 20 Downloads, Top 20 Ringtones, Top 20 Compilation Albums, Top 50 Radio Airplay, Top 40 TV airplay, and a number of format and genre charts (Music DVD, Rock, Indie, etc.). It also included background on sales and airplay analysis from Alan Jones. Following a redesign in October 2008, the magazine introduced live charts based on Tixdaq data, a Box Office chart and predictive charts based on information from Amazon, Rakuten.co.uk, Shazam, HMV.com and Last.fm. Music Week compiled and published weekly club charts from chart returns supplied by DJs in nightclubs; Upfront Club Top 40, Commercial Pop Top 30 and Urban Top 30. The magazine also published a weekly Cool Cuts chart compiled from DJ feedback and sales reports from independent record shops, which traced it roots back to James Hamilton's BPM section in Record Mirror (a publication which ended up as the middle dance music section of Music Week in 1991).
Even though the magazine is now a monthly publication, the website still posts weekly Charts Analysis pages for the UK Official Singles and Albums charts. Alan Jones was the writer of the section until he retired in March 2020, when Chart Watch UK writer James Masterton was hired to take over the role. Masterton wrote two weekly Charts Analysis pages for the website (as the magazine now features charts compiled from monthly sales and streams) until 29 October 2021, when Music Week staff performed the role. After Andre Paine and Ben Homewood wrote one each of the Charts Analysis posts on 5 November 2021, Alan Jones resumed the role again, writing the 12 November overviews, with no explanation of why he returned (with the pages titled Charts analysis: ABBA's Voyage opens with huge sale of 204,000 for the albums and Charts analysis: Adele spends fourth week at summit ahead of album release for the singles).
Music Week is published monthly by Future (from the March 2021 edition), though previously it was a weekly magazine (50 editions p.a.). It was available as a B4-sized printed magazine and a PDF digital edition. ISSN 0265-1548.
As at July 2021 print edition
The weekly print cirulation in 1997/98 was 12,503, but by the time the publication left the ABC scheme in 2011 it had fallen to around 5,000 weekly copies."ABC Standard Certificate of Circulation (for the 51 issues distributed between 1st July 2009 and 30th June 2010)" (PDF). ABC. 22 August 2010. Retrieved 24 September 2010.</ref> In October 2011, Music Week deregistered with ABC after 54 years of membership.